
Angela Cunningham

Angela Cunningham
HyeSeung Mariage-Song and Jacob Collins
Arturo Garcia starting a still life painting
Happy Holidays!
Please join us for a Cocktail Reception Celebrating the Completion of Three New Projects:
The National Infantry Museum, Columbus, Georgia
Designed by: Christopher Chadbourn & Assoc. Inc.
Smithsonian National Museum of Natural History, Washington D.C.
Written In Bone: Forensic Files of the 17th Century Chesapeake
Designed by: MFM Design
James Madison's Montpelier, Orange, Virginia
James and Dolley Madison, A Bronze Sculpture Commission
Sponsored by: Robert H. Smith
StudioEIS
55 Washington Street, Suite 400 Brooklyn NY
DIRECTIONS
Corner of Washington and Front Streets, Dumbo BKLYN
#A to High St. #F to York St. and #2, #3 to Clark St.
![]() |
Atlanta Art Gallery group show |
Anonymous (Spanish, c. 1890) Desnudo masculino en pie y de perfil apoyado en una vara. Graphite and pastel on paper. 61.9 BY 47.9CM. Colección de Bellas Artes, Universidad Complutense, Madrid.
Anonymous (Spanish). Colección de Bellas Artes, Universidad Complutense, Madrid.
G. Ponman (Spanish) Female figure from a Greek Relief Sculpture or Figura femenina (copia de un relieve griego). Pencil and pastel on paper. 62.9 BY 47.7CM. Colección de Bellas Artes, Universidad Complutense, Madrid.
As in Paris, students in Madrid’s arts academy studied, on average, for four years. Some went on to receive scholarships and study at the Spanish School in Rome. (Established in 1873, the Spanish sent winners of an annual competition on the equivalent of the French Prix de Rome.) Students at the Academia began by drawing from castes of isolated portions of statues. Then, they were allowed to study from full statues of classical origins, either from castes made of the Spanish Royal collection or from collections in Rome or Paris. Advanced students, were allowed to study from live models, who were often placed in the poses of classical statuary or from scenes in Old Master paintings. As the century progressed, classical poses increasingly gave way to more natural poses and depictions of the human figure.
Grand Central Atelier is a collaborative workspace for the study and practice of figurative drawing, painting and sculpture. The studio provides rigorous training, resident artist studios, exhibitions, concerts, lectures, artistic competitions and fellowships that together advance the academic tradition.