Showing posts with label William Bouguereau. Show all posts
Showing posts with label William Bouguereau. Show all posts

Tuesday, March 6, 2012

Graydon Parrish to lecture at the Clark

Beneath the Surface: A Master Painter Examines the Clark's
Nymphs and Satyr

At the Clark  Institute in Williamstown, MA,  Graydon Parrish will be speaking this Sunday, March 11 at 3:00 pm.

               In this special free lecture, artist Graydon Parrish will provide an in-depth look at one of the Clark's most beloved paintings, William Bouguereau's Nymphs and Satyr.
The last quarter of the nineteenth century witnessed a complete codification of the painter’s craft. The process of creating a picture was not only systematic, but its continued rehearsal from the initial sketch (or croquis) to under-painting (or ébauche) to the finished work, reminded the painter of his training, his role in art history, and his reputation among his peers and collectors. An artist's technique was indivisible from his integrity, influence, and commerce. Few artists have become as synonymous with technique as William Bouguereau. His name has been both praised and derided because of this, and yoked with the word "academic," itself a term of pride and scorn. Yet despite Bouguereau's skill and troubles with his reputation, his approach was workaday and straightforward, calm and steady.
In his lecture, Parrish will explore Bouguereau’s deliberate métier—specifically how he created one of his masterworks, Nymphs and Satyr. Parrish will touch on the milieu of the art student and the outlook of the French Academy, as well as outline each stage of the painter’s art, from pencil to presentation. He will discuss Bouguereau’s explicit, glass-like finish, and explore how Bouguereau’s reputation among living painters will bring into focus new ideas on technique and communication in the art landscape today.
Graydon Parrish is an artist interested in contemporary figuration and the revival of historic painting practices. He received his MFA from the New York Academy of Art and his BA from Amherst College. His own work is found in the New Britain Museum of Art, the Mead Art Museum, the Blanton Museum of Art, and the Austin Museum of Art. He has presented lectures at these institutions as well as the Santa Barbara Museum of Art and the Joseloff Galley at the University of Hartford. He also teaches advanced color theory at the Grand Central Academy of Art.

Sunday, February 14, 2010

Special Tour of the Fred & Sherry Ross Collection

Last weekend a group of us had the wonderful opportunity to visit the home of Fred & Sherry Ross for a tour of their art collection. Every wall was crammed with unbelievable drawings and paintings and it was like visiting a museum of 19th century art. Fred & Sherry run the Art Renewal Center which is a great resource for artists pursuing academic training or just wanting to learn more about art history. We are sending out a big thanks to them for inviting us into their home and sharing their passion for art! I included a few of the paintings we got to see, but you can check out all of them and more at the ARC online museum.


Here we are.


Detail of a Bouguereau painting


Jeunes Bohemiennes by William Bouguereau


Portrait de Gabrielle Cot by William Bouguereau


Bouderie (Gustave Courtois in his studio) by Pascal Dagnan Bouveret

Sunday, October 18, 2009

19th century paintings & sculptures at Sotheby's

On Saturday Angela and I went to Sotheby's to see the paintings and sculptures that are up for auction this week. I took photos of a few things I especially liked. If you want to see these things up close in person, the auction is this Thursday, 10/22 and you'll have to go before then. After that they'll disappear into private collections, so go get on it!


Rosa Bonheur, Cecf a dix cors aux aguets, 21 5/8" x 17 3/4"




Isidor Kaufmann, Portrait of a Man With Streimel, 14" x 10.5"




Jules Joseph Lefebvre, Portrait of an Ottoman, 24" x 20"






Jean Leon Gerome


Julien Dupre, Goose Girl, 25 1/4" x 21 3/8"




John Willam Godward, Beauty in a Marble Room, 50" x 20"


Alfred Stevens, L'Absence, 24.25" x 19.5"


William Bouguereau, Jeune Fille a la Cruche, 38" x 24.25"




William Bouguereau, Le Bruit de la Mer, 32.75" x 21.5"


Joaquin Sorolla

Auguste Rodin





Wednesday, May 13, 2009

Bouguereau's working methods

When Graydon Parrish was here to teach the color workshop, he gave a great lecture on Bouguereau's picture making process. Graydon is an expert on the work of William Bouguereau and has so much to share on the subject. His lecture emphasised the amount of preparation that went into Bouguereau's paintings. He would work on multiple studies, making lots of changes along the way before he started the final painting. This series of sketches and studies building up to the famous "Nymphs et Satyrs" is a great example:


Thumbnail sketches - where it all begins


detail of the thumbnail sketch


Satyr sketch


Nymph sketches, finding the right pose


color study for the Satyr


Sketch, trying out different poses


Cartoon, still adjusting the poses


Poster study in oil paint


The final painting: Nymphs et Satyrs, by William Bouguereau, 1873