For our Tuesday afternoon portrait class, we've been posing skulls next to the model and drawing the two simultaneously. The idea is to be able to recognize the structure of the skull in the live model and see through the skin and muscles while drawing. Students are also encouraged to do many many studies of the skull from all angles on their own time (see David Troncoso's examples below) Sculpting the skull in clay is also part of the curriculum. The model poses for 20 minutes at a time, with 5 minute breaks. No breaks for the artists! (or the skulls)
by Remi Cardenas
by Ken Salaz
by Ken Salaz
by Emilie Lee
by David Troncoso
by David Troncoso
by David Troncoso
by David Troncoso
3 comments:
Great!! As always!
ps: bigger photos? :)
Oh damn, the demanding audience! :)
That is a great idea to place the skull next to the model with the same angle and lighting!
Some Art Work I found in Paris atelier alupi. They are very good indeed and best in Paris. But this blog is very unique one as well as detail of this article...
Post a Comment