Today, I decided to highlight some art I found particularly inspring. The Yoruba city of Ife in West Africa was the birthplace of a
particularly incredible series of portrait sculptures in the 12th-14th
century AD. I find it particularly interesting that a tradition of
highly skilled naturalist sculpture developed independently from the
Western Greco-Roman tradition. Evidently an interest in depicting people
and things as they are is not necessarily unique to the West.
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Head, Possibly a King - terracotta |
|
Ife King - bronze |
|
Mask with Vertical Line Facial Markings - terracotta |
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King Obalufon II - copper |
The Yoruba artistic tradition was centered around the concept of
àṣẹ, the source of divine power that runs through all things on Earth. The head (
orî) is considered to be the center of the
àṣẹ in human beings. This philosophical understanding is the basis for the varied and exceptional sculpture of the Yoruba kingdom.
The
concept of the inner and outer head is also a central feature of the
Yoruba portrait. These images above are sculptures completed in the city
of Ife, following the depiction of the outer head (its naturalistic
physiognomy). The city of Ife was particularly proficient during the
period of the 13th to 15th century in creating highly naturalistic
sculpture work, possibly by a handful of artists working in a close-knit
setting.
Yoruba portrait sculpture can also be highly
symbolic to better depict the inner head in its metaphysical state -
here I have only posted the naturalistic "outer head" sculptures due to
their visual accessibility to us. In the sculpture of King Obalufon II,
it is interesting to note that the purity of the copper (96.8-99.7%)
surpasses the sculptures of Ancient Greece, Rome, the Italian
Renaissance and Chinese bronze casters. (
Blier)
Although
we do not have a great understanding of who these artists were or their
technical process, their work speaks for itself and crosses time and
space to reach artists and art appreciators. I hope you can appreciate
it.
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