 |
| Zoey Frank |
 |
| Zoey Frank |
 |
| Connor de Jong |
 |
| Shihwen Wu |
 |
| Joseph Loomis |
 |
| Joseph Loomis |
 |
| Christina Mastrangelo |
 |
| Christina Mastrangelo |
 |
| Christina Mastrangelo Work in Progress |
 |
| Abigail Tulis |
 |
| Abigail Tulis |
 |
| Brian MacNeil |
 |
| Brian MacNeil |
 |
| Brian Macneil Work in Progress |
 |
| Leeanna Chipana Work in Prgoress |
 |
| Rebecca Gray |
 |
| Sarah Bird |
 |
| Thomas Kegler |
 |
| Thomas Kegler |
Last night, Thomas Kegler gave his workshop students and the fellows a glazing demo. He used a study he completed during his workshop, taping it across the middle to illustrate the difference glazing can make in a painting.
 |
| Tom is about to begin the demo - he will be using Oleogel and several different warm reds, browns, oranges and purples to glaze over the entire surface first. |
 |
 |
| A warm glaze has been brushed over the entire surface. Some of the glaze has been wiped off of the sky to cool it down a touch. |
 |
| Thomas enriches the darks with Van Dyke Brown and pulls out some of the cooler greens underneath the glaze in the trees using a rubber shaper brush. |
 |
| The finished demo showing the differences between the field study on the right and the effect of glazing on top to the left. |
 |
| The glazing palette |
2 comments:
You guys are putting in a lot of time and work. All the pieces look fantastic. Thanks for posting so many different images. Have fun!
I was honored to have Tom demo in my studio. Great work Fellows!
Post a Comment